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    # Haruki Murakami (¹«¶óÄ«¹Ì ÇÏ·çŰ)    
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1Q84 (Paperback)
- ¡º1Q84¡» ¿µ¾î¿ø¼

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"Áö±Ý ÀÌ ¼¼»ó¿¡ Á¸ÀçÇÏ´Â ³»°¡ °ú¿¬ ÁøÁ¤ÇÑ ³ªÀϱî?" ²Ë ¸·Èù °í¼Óµµ·ÎÀÇ ºñ»ó°è´ÜÀ» ³»·Á¿À¸é¼ ´Ù¸¥ ¼¼°è·Î Á¢¾îµç ¿©ÀÚ ¾Æ¿À¸¶¸Þ. õºÎÀûÀÎ ¹®ÇмºÀ» Áö´Ñ ¿Àϰö ¼Ò³à¸¦ ¸¸³ª¸ç ±â¹¦ÇÑ »ç°Ç¿¡ ÈÖ¸»¸®´Â ÀÛ°¡ Áö¸Á»ý µ§°í. ±×µé ¾Õ¿¡ ÆîÃÄÁö´Â 1Q84ÀÇ ¼¼°è. ÁøÁ¤ÇÑ »ç¶ûÀ» °¥±¸ÇÏ´Â µÎ ³²³à´Â ¸î °³ÀÇ ´ÞÀÌ ¶° ÀÖ´Â ÇÏ´Ã ¾Æ·¡¿¡¼ ¸¸³ª°Ô µÉ±î?
1Q84ÀÇ ¼¼°è¸¦ ¶°³ª°íÀÚ ÇÏ´Â ¾Æ¿À¸¶¸Þ, ¾Æ¿À¸¶¸Þ¸¦ µÚÂÑ´Â '¼±±¸', ¾Æ¿À¸¶¸Þ¸¦ ÁöŰ´Â ´Ù¸¶·ç¿Í ³ëºÎÀÎ, ÀÚ½ÅÀ» µÑ·¯½Ñ ¼¼°èÀÇ ºñ¹ÐÀ» ¹àÈ÷·Á´Â µ§°í, ±×·± µ§°í¸¦ ¼öÈ£ÇÏ´Â ÈÄÄ«¿¡¸®, ±×¸®°í µ§°í¿Í ¾Æ¿À¸¶¸Þ¸¦ µ¿½Ã¿¡ ÃßÀûÇÏ´Â Á¦3ÀÇ Àι° µî Èï¹ÌÁøÁøÇÑ À̾߱Ⱑ ÆîÃÄÁø´Ù.
ÇØ¸¶´Ù ³ëº§¹®Çлó Èĺ¸¿¡ °Å·ÐµÇ¸ç, ÀϺ»¿¡¼»Ó¸¸ ¾Æ´Ï¶ó Àü¼¼°èÀûÀ¸·Î µ¶ÀÚ¸¦ È®º¸Çϰí ÀÖ´Â ¹«¶óÄ«¹Ì ÇÏ·çŰÀÇ ½ÅÀÛ <1Q84>´Â ÀϺ»¿¡¼ Ãâ°£µÇ±â Àü ¿¹¾à ÆÇ¸Å ù ³¯ º£½ºÆ®¼¿·¯ 1À§¸¦ ±â·ÏÇß°í, Ãâ°£ ´çÀÏÀÎ 5¿ù 29ÀÏ ÇÏ·ç¿¡¸¸ 68¸¸ ºÎ°¡ ÆÈ·Á³ª°¡´Â ±â¿°À» ÅäÇß´Ù. ¹ß¸Å 10ÀÏ ¸¸¿¡ 100¸¸ºÎ, ¹ß¸Å µÎ ´ÞÀÌ Ã¤ ¾È µÈ 7¿ù ¸»±îÁö ¸ðµÎ 223¸¸ ºÎ ÀÌ»óÀÌ ÆÇ¸ÅµÈ °ÍÀ¸·Î Áý°èµÇ°í ÀÖ´Ù.
"Áö±Ý ÀÌ ¼¼»ó¿¡ Á¸ÀçÇÏ´Â ³»°¡ °ú¿¬ ÁøÁ¤ÇÑ ³ªÀϱî?" ²Ë ¸·Èù °í¼Óµµ·ÎÀÇ ºñ»ó°è´ÜÀ» ³»·Á¿À¸é¼ ´Ù¸¥ ¼¼°è·Î Á¢¾îµç ¿©ÀÚ ¾Æ¿À¸¶¸Þ. õºÎÀûÀÎ ¹®ÇмºÀ» Áö´Ñ ¿Àϰö ¼Ò³à¸¦ ¸¸³ª¸ç ±â¹¦ÇÑ »ç°Ç¿¡ ÈÖ¸»¸®´Â ÀÛ°¡ Áö¸Á»ý µ§°í. ±×µé ¾Õ¿¡ ÆîÃÄÁö´Â 1Q84ÀÇ ¼¼°è. ÁøÁ¤ÇÑ »ç¶ûÀ» °¥±¸ÇÏ´Â µÎ ³²³à´Â ¸î °³ÀÇ ´ÞÀÌ ¶° ÀÖ´Â ÇÏ´Ã ¾Æ·¡¿¡¼ ¸¸³ª°Ô µÉ±î?
1Q84ÀÇ ¼¼°è¸¦ ¶°³ª°íÀÚ ÇÏ´Â ¾Æ¿À¸¶¸Þ, ¾Æ¿À¸¶¸Þ¸¦ µÚÂÑ´Â '¼±±¸', ¾Æ¿À¸¶¸Þ¸¦ ÁöŰ´Â ´Ù¸¶·ç¿Í ³ëºÎÀÎ, ÀÚ½ÅÀ» µÑ·¯½Ñ ¼¼°èÀÇ ºñ¹ÐÀ» ¹àÈ÷·Á´Â µ§°í, ±×·± µ§°í¸¦ ¼öÈ£ÇÏ´Â ÈÄÄ«¿¡¸®, ±×¸®°í µ§°í¿Í ¾Æ¿À¸¶¸Þ¸¦ µ¿½Ã¿¡ ÃßÀûÇÏ´Â Á¦3ÀÇ Àι° µî Èï¹ÌÁøÁøÇÑ À̾߱Ⱑ ÆîÃÄÁø´Ù.
¡°Murakami is like a magician who explains what he¡¯s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.¡± ?The New York Times Book Review
 
The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver¡¯s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 ?¡°Q is for ¡®question mark.¡¯ A world that bears a question.¡± Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame¡¯s and Tengo¡¯s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell¡¯s?1Q84 is Haruki Murakami¡¯s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
 
          
        The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver¡¯s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 ?¡°Q is for ¡®question mark.¡¯ A world that bears a question.¡± Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame¡¯s and Tengo¡¯s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell¡¯s?1Q84 is Haruki Murakami¡¯s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
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