ÇöÀç À§Ä¡
ȨNon-Fiction [³íÇȼÇ]
ǰÀý ½Ã °³º°¿¬¶ôµå¸®°í ÀÖÀ¸¸ç, Àç°í Á¤È®µµ¸¦ À§ÇØ ³ë·ÂÇϰí ÀÖÀ¸´Ï ³Ê±×·¯¿î ¾çÇØ ºÎŹ µå¸³´Ï´Ù.
¡Ø ´ë·® ÁÖ¹® ½Ã ÁÖ¹® Àü Àç°í È®ÀÎÀ» ¿øÇÏ½Ã¸é ¾Æ·¡ °í°´¼¾ÅÍ·Î ¿¬¶ô¹Ù¶ø´Ï´Ù.
1:1¹®Àdzª Ä«Åå ¹®ÀÇ ÁÖ½Ã¸é ½Å¼ÓÇÏ°Ô ¾È³»ÇØ µå¸®°Ú½À´Ï´Ù.
1:1¹®ÀÇ > Ä«Åå¹®ÀÇ >

An exploration of how technology and best intentions collide in the heat of war
Most military thinkers in the years leading up to World War II saw the airplane as an afterthought. But a small band of idealistic strategists, the ¡°Bomber Mafia,¡± asked: What if precision bombing could cripple the enemy and make war far less lethal?
In contrast, the bombing of Tokyo on the deadliest night of the war was the brainchild of General Curtis LeMay, whose brutal pragmatism and scorched-earth tactics in Japan cost thousands of civilian lives, but may have spared even more by averting a planned US invasion. In The Bomber Mafia, Gladwell asks, ¡°Was it worth it?¡±
Things might have gone differently had LeMay¡¯s predecessor, General Haywood Hansell, remained in charge. Hansell believed in precision bombing, but when he and Curtis LeMay squared off for a leadership handover in the jungles of Guam, LeMay emerged victorious, leading to the darkest night of World War II. The Bomber Mafia is a riveting tale of persistence, innovation, and the incalculable wages of war.
| ÆòÁ¡ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ |
|---|---|---|---|
| µî·ÏµÈ »óǰÈıⰡ ¾ø½À´Ï´Ù. | |||
| ¹øÈ£ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ | ÁøÇà»óȲ |
|---|---|---|---|---|
| µî·ÏµÈ »óǰ¹®Àǰ¡ ¾ø½À´Ï´Ù. | ||||
¹è¼Û¾È³»
¡Ø ¹è¼Û±â°£ : °áÁ¦ÀÏ·Î ºÎÅÍ 2 ~ 4 ÀÏ ¼Ò¿ä ( °øÈÞÀÏ Á¦¿Ü)
- ±¹³»Á¦ÀÛ »çÀÔ»óǰ, DVD, µµ¼/»ê°£Áö¿ªÀº 5 ~ 7 ÀÏ ¼Ò¿ä
¡Ø ¹è¼Ûºñ : 2,500 ¿ø ( ½Ç °áÁ¦±Ý¾× ±âÁØ 3 ¸¸¿øÀÌ»ó ±¸¸Å½Ã ¹«·á )
- Á¦ÁÖ ¹× ±âŸ µµ¼Áö¿ª : µµ¼±·á( ±âº»¹è¼Ûºñ + 3,000 ¿ø ~ 8,000¿ø )
- ±ººÎ´ë ¹× ÇØ¿Ü¹è¼ÛÀº Áö¿øµÇÁö ¾Ê½À´Ï´Ù.
¡Ø Çù·ÂÅùè»ç : CJ ´ëÇÑÅë¿î http://www.doortodoor.co.kr/
¢Ï 1588 - 1255 ( ¿ù ~ ±Ý 08:00 ~ 18:00 / Åä 09:00 ~ 13:00 )
±³È¯/¹Ýǰ ¾È³»
¡Ø »óǰ ¼ö·É ÈÄ 7 ÀÏ À̳»¿¡ °í°´¼¾Å͸¦ ÅëÇØ ½ÅûÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
(ÀüÈ / Ä«Åå / 1:1¹®ÀÇ )
- À̺¥Æ® »óǰÀÏ °æ¿ì »çÀºÇ°µµ °°ÀÌ ¹Ý³³ÇØ ÁÖ¼Å¾ß È¯ºÒµË´Ï´Ù.
- »óǰºÒ·®ÀÎ °æ¿ì ¹è¼Ûºñ¸¦ Æ÷ÇÔÇÑ Àü¾×ÀÌ È¯ºÒµË´Ï´Ù.
¡Ø Àü »óǰ ¹Ýǰ½Ã 5,000 ¿ø ( °í°´ºÎ´ã )
- ºÎºÐ ¹Ýǰ½Ã, ÁÖ¹®±Ý¾×ÀÌ 3¸¸¿ø ÀÌ»óÀ̸é 2,500 ¿ø (°í°´ºÎ´ã)
ÁÖ¹®±Ý¾×ÀÌ 3 ¸¸¿ø ¹Ì¸¸À̸é 5,000 ¿ø (°í°´ºÎ´ã)
¡Ø ¹Ýǰ / ±³È¯ ºÒ°¡´ÉÇÑ °æ¿ì
- Æ÷ÀåµÈ µµ¼, CD µîÀÇ Æ÷ÀåÀ» °³ºÀ ¹× ÈѼÕÇÑ °æ¿ì,
- ´Ü±â°£¿¡ Çʵ¶ÀÌ °¡´ÉÇÑ µµ¼
ex) CD, ¿©Çà¼, ¸¸È, ¿ä¸®Ã¥, Áöµµ, »çÁøÁý, ¿öÅ©ºÏ µî
¡Ø ¹ÝǰÁÖ¼Ò
- ¼¿ïƯº°½Ã ¼ºµ¿±¸ ¼º¼öÀÏ·Î 55(SKÅ×Å©³ëºôµù) ÁöÇÏ1Ãþ 101~102È£
À̹ÌÁö È®´ëº¸±â
[ÆÄº»:ƯA] The Bomber Mafia : A Story Set in War










°í°´´ÔÀº
¾ÈÀü°Å·¡¸¦ À§ÇØ Çö±ÝµîÀ¸·Î °áÁ¦½Ã ÀúÈñ ¼îÇθô¿¡¼ °¡ÀÔÇÑ
±¸¸Å¾ÈÀü¼ºñ½º¸¦ ÀÌ¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.