ÇöÀç À§Ä¡
Ȩ[ÀϹÝ] ÀϹÝ/±âŸ
ǰÀý ½Ã °³º°¿¬¶ôµå¸®°í ÀÖÀ¸¸ç, Àç°í Á¤È®µµ¸¦ À§ÇØ ³ë·ÂÇϰí ÀÖÀ¸´Ï ³Ê±×·¯¿î ¾çÇØ ºÎŹ µå¸³´Ï´Ù.
¡Ø ´ë·® ÁÖ¹® ½Ã ÁÖ¹® Àü Àç°í È®ÀÎÀ» ¿øÇÏ½Ã¸é ¾Æ·¡ °í°´¼¾ÅÍ·Î ¿¬¶ô¹Ù¶ø´Ï´Ù.
1:1¹®Àdzª Ä«Åå ¹®ÀÇ ÁÖ½Ã¸é ½Å¼ÓÇÏ°Ô ¾È³»ÇØ µå¸®°Ú½À´Ï´Ù.
1:1¹®ÀÇ > Ä«Åå¹®ÀÇ >


Çâ¼ö, ¸®º», ¸ðÀÚ, Áö±Ý±îÁö ÀÌ ¼¶¿¡¼ »ç¶óÁø °Íµé
»õ, Àå¹Ì, ¼Ò¼³, ¾ÕÀ¸·Î ÀÌ ¼¶¿¡¼ »ç¶óÁú °Íµé
¾Ë ¼ö ¾ø´Â ÈûÀ¸·Î ÀÎÇØ »ç¹°ÀÇ Á¸Àç¿Í ±â¾ïÀÌ »ç¶óÁ®°¡´Â ¼¶. ÁÖ±âÀûÀ¸·Î ¡®¼Ò¸ê¡¯ÀÌ ÀϾ¸é ¼¶»ç¶÷µéÀº ±×¿¡ °ü·ÃµÈ ¸ðµç ±â¾ïÀ» ÀÒ°í, ±×·¯Áö ¾ÊÀº »ç¶÷µéÀº °¾ÐÀûÀÎ ºñ¹Ð°æÂû¿¡ ²ø·Á°¡ »ç¶óÁø´Ù. ¼Ò¼³°¡ÀÎ ¡®³ª¡¯ÀÇ ¾î¸Ó´Ï ¿ª½Ã ±â¾ïÀ» ÀÒÁö ¾ÊÀº »ç¶÷ Áß ÇÑ ¸íÀ̾ú°í, ÀÌ¹Ì ¼Ò¸êÇÑ ¹°°ÇÀ» ÁöÇÏ ¼¶øÀå¿¡ ¼û°ÜµÎ°í¼ ³ª¿¡°Ô¸¸ ³²¸ô·¡ º¸¿©ÁÖ¸ç ¾î¶² ¹°°ÇÀÎÁö ¼³¸íÇØÁÖ°ï Çß´Ù. ±×·± ¾î¸Ó´Ï°¡ ºñ¹Ð°æÂû¿¡ ºÒ·Á°¬´Ù°¡ ½Ã½ÅÀ¸·Î µ¹¾Æ¿À°í, µé»õ ¿¬±¸°¡¿´´ø ¾Æ¹öÁö¸¶Àú µ¹¾Æ°¡½Å ÈÄ, ¡®³ª¡¯´Â °¡Á¤ºÎ ÇÒ¸Ó´ÏÀÇ ³²ÆíÀÌÀÚ Æä¸® Á¤ºñ»ç¿´´ø ÇҾƹöÁö¿Í ´ÜµÑÀÌ °¡Á·Ã³·³ Áö³»°í ÀÖ´Ù. ¾Æ¹öÁöÀÇ ¿¬±¸¼Ò¿¡¼ ¹«¸¿¡ ¾É¾Æ ½Ö¾È°æÀ¸·Î µé¿©´Ùº¸´ø »ö»ö±òÀÇ »õ, ºÎ¸ð´ÔÀÌ ÀþÀº ¿¬ÀÎÀÌ´ø ½ÃÀý ÀÚÁÖ Ã£¾Ò´ø Àå¹ÌÁ¤¿øÀÇ ²É, °¡Á·ÀÇ Ãß¾ïÀÌ ´ã±ä »çÁø µî ÁÖÀ§¸¦ ä¿ì´ø ¼ÒÁßÇÑ Á¸ÀçµéÀÌ ÇϳªµÑ ¼Ò¸êÇØ°¡´Â ¼Ó¿¡¼µµ »ó½ÇÀ» ÀÏ»óÀ¸·Î ¹Þ¾ÆµéÀÌ¸ç ´ã´ãÇÑ »ýȰÀ» À̾´ø Áß, ¡®³ª¡¯´Â ÀÚ½ÅÀÇ ¼Ò¼³À» °¡Àå ¸ÕÀú ÀÐ°í Æò°¡ÇØÁÖ´Â ´ã´ç ÆíÁýÀÚÀÎ R¾¾ ¿ª½Ã ¼Ò¸êÇÑ °Í¿¡ ´ëÇÑ ±â¾ïÀ» ÀÒÁö ¾Ê´Â´Ù´Â »ç½ÇÀ» ¾Ë°Ô µÇ°í, ÇҾƹöÁö¿Í ÇÕ½ÉÇØ¼ Áý¾È¿¡ ÀÛÀº Àº½Åó¸¦ ¸¶·ÃÇØ ±×¸¦ ¼û±â´Â µ¥ ¼º°øÇÑ´Ù. ¾ðÁ¨°¡ R¾¾°¡ ¼ûÁö ¾Ê°íµµ »ì ¼ö ÀÖ´Â ¼¼»óÀÌ ¿À¸®¶ó´Â ÀÛÀº Èñ¸Á¿¡µµ ºÒ±¸ÇÏ°í ¡®¼Ò¸ê¡¯À» öÀúÇÏ°Ô ÀÌ·ï³»·Á´Â ºñ¹Ð°æÂûÀÇ ±â¾ï »ç³ÉÀº ³¯·Î ½ÉÇØÁ®°¡°í, ´Þ·ÂÀÌ ¼Ò¸êÇÑ Å¿¿¡ Ãß¿î °Ü¿ï³¯ÀÌ ³¡¾øÀÌ À̾îÁö¸é¼ ¼¶¿¡´Â
½Ä·®°ú ¹°ÀÚ°¡ Á¡Á¡ ºÎÁ·ÇØÁø´Ù. ÀÌÀ¹°í ¼Ò¼³¸¶Àú ¼Ò¸êÇÏ¸é¼ ¡®³ª¡¯´Â ä¿ï ±æ ¾ø´Â °øÇã°¨À» ´À³¢´Âµ¥¡¦¡¦
Finalist for the International Booker Prize and the National Book Award
A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss.
ONE OF THE BEST BOOKS OF THE YEAR
THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB
American Book Award winner
| ÆòÁ¡ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ |
|---|---|---|---|
| µî·ÏµÈ »óǰÈıⰡ ¾ø½À´Ï´Ù. | |||
| ¹øÈ£ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ | ÁøÇà»óȲ |
|---|---|---|---|---|
| µî·ÏµÈ »óǰ¹®Àǰ¡ ¾ø½À´Ï´Ù. | ||||
¹è¼Û¾È³»
¡Ø ¹è¼Û±â°£ : °áÁ¦ÀÏ·Î ºÎÅÍ 2 ~ 4 ÀÏ ¼Ò¿ä ( °øÈÞÀÏ Á¦¿Ü)
- ±¹³»Á¦ÀÛ »çÀÔ»óǰ, DVD, µµ¼/»ê°£Áö¿ªÀº 5 ~ 7 ÀÏ ¼Ò¿ä
¡Ø ¹è¼Ûºñ : 2,500 ¿ø ( ½Ç °áÁ¦±Ý¾× ±âÁØ 3 ¸¸¿øÀÌ»ó ±¸¸Å½Ã ¹«·á )
- Á¦ÁÖ ¹× ±âŸ µµ¼Áö¿ª : µµ¼±·á( ±âº»¹è¼Ûºñ + 3,000 ¿ø ~ 8,000¿ø )
- ±ººÎ´ë ¹× ÇØ¿Ü¹è¼ÛÀº Áö¿øµÇÁö ¾Ê½À´Ï´Ù.
¡Ø Çù·ÂÅùè»ç : CJ ´ëÇÑÅë¿î http://www.doortodoor.co.kr/
¢Ï 1588 - 1255 ( ¿ù ~ ±Ý 08:00 ~ 18:00 / Åä 09:00 ~ 13:00 )
±³È¯/¹Ýǰ ¾È³»
¡Ø »óǰ ¼ö·É ÈÄ 7 ÀÏ À̳»¿¡ °í°´¼¾Å͸¦ ÅëÇØ ½ÅûÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
(ÀüÈ / Ä«Åå / 1:1¹®ÀÇ )
- À̺¥Æ® »óǰÀÏ °æ¿ì »çÀºÇ°µµ °°ÀÌ ¹Ý³³ÇØ ÁÖ¼Å¾ß È¯ºÒµË´Ï´Ù.
- »óǰºÒ·®ÀÎ °æ¿ì ¹è¼Ûºñ¸¦ Æ÷ÇÔÇÑ Àü¾×ÀÌ È¯ºÒµË´Ï´Ù.
¡Ø Àü »óǰ ¹Ýǰ½Ã 5,000 ¿ø ( °í°´ºÎ´ã )
- ºÎºÐ ¹Ýǰ½Ã, ÁÖ¹®±Ý¾×ÀÌ 3¸¸¿ø ÀÌ»óÀ̸é 2,500 ¿ø (°í°´ºÎ´ã)
ÁÖ¹®±Ý¾×ÀÌ 3 ¸¸¿ø ¹Ì¸¸À̸é 5,000 ¿ø (°í°´ºÎ´ã)
¡Ø ¹Ýǰ / ±³È¯ ºÒ°¡´ÉÇÑ °æ¿ì
- Æ÷ÀåµÈ µµ¼, CD µîÀÇ Æ÷ÀåÀ» °³ºÀ ¹× ÈѼÕÇÑ °æ¿ì,
- ´Ü±â°£¿¡ Çʵ¶ÀÌ °¡´ÉÇÑ µµ¼
ex) CD, ¿©Çà¼, ¸¸È, ¿ä¸®Ã¥, Áöµµ, »çÁøÁý, ¿öÅ©ºÏ µî
¡Ø ¹ÝǰÁÖ¼Ò
- ¼¿ïƯº°½Ã ¼ºµ¿±¸ ¼º¼öÀÏ·Î 55(SKÅ×Å©³ëºôµù) ÁöÇÏ1Ãþ 101~102È£
À̹ÌÁö È®´ëº¸±â
The Memory Police [¸ð´×į 2022-23]










°í°´´ÔÀº
¾ÈÀü°Å·¡¸¦ À§ÇØ Çö±ÝµîÀ¸·Î °áÁ¦½Ã ÀúÈñ ¼îÇθô¿¡¼ °¡ÀÔÇÑ
±¸¸Å¾ÈÀü¼ºñ½º¸¦ ÀÌ¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.