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2002³â ÇÑÀÏ¿ùµåÄÅÀ¸·Î ¶°µé½âÇß´ø ¿©¸§, ¡®¹Ì¸ðÀÇ ¿©°í»ý »ìÀλç°Ç¡¯À̶ó ºÒ·È´ø ºñ±ØÀÌ ¹ú¾îÁö°í, ÀÌ »ç°ÇÀ» µÑ·¯½Ñ ¸ðµç Àι°ÀÇ »îÀÌ ¹æÇâÀ» ÀÒ°í Èçµé¸°´Ù. »ç°ÇÀÇ Á߽ɿ¡ ÀÖ´Â ¼¼ ¿©¼ºÀÇ ¸ñ¼Ò¸®°¡ ¹ø°¥¾Æ°¡¸ç À̾߱⸦ ²ø°í °¡´Â ÀÌ ÀÛÇ°Àº ¾ÖµµµÇÁö ¸øÇÑ Á×À½ÀÌ ¾î¶² ÆÄÀåÀ» ³²±â´ÂÁö Áý¿äÇÏ°Ô ÆÄ°íµé¾î°¡¸ç »îÀÇ Àǹ̿¡ ´ëÇÑ ¹¬Á÷ÇÑ Áú¹®À» ´øÁø´Ù. Ãâ°£ Àü ½Ç½ÃÇÑ »çÀü¼Æò´Ü À̺¥Æ®¿¡¼µµ ¾ÐµµÀû ÁöÁö¸¦ ¹ÞÀ¸¸ç µ¶ÀÚµéÀÇ ¶ß°Å¿î ¹ÝÀÀÀ» ºÒ·¯ÀÏÀ¸Å² À̹ø ÀÛÇ°Àº ±Ç¿©¼± ¼Ò¼³ÀÇ »õ ÁöÆòÀ» Áõ¸íÇÒ °ÍÀÌ´Ù.
This is not a murder story. It is the story of those left behind. Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime.
In the summer of 2002, Kim Hae-on was killed in what became known as the High School Beauty Murder. There were two suspects: Shin Jeongjun, who had a rock-solid alibi, and Han Manu, to whom no evidence could be pinned. The case went cold.
Seventeen years pass without justice, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she's lost, ultimately setting out to find the truth of what happened.
Shifting between the perspectives of Da-on and two of Hae-on's classmates, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn.
Praise for Lemon:
'Discovering whodunnit isn't really the point here; Lemon is a subtle, often intense meditation on the after-effects of violence' Guardian
'Chilling, suspenseful and disconcerting... I couldn't put it down and read deep into the night until I finished it, with my heart hammering' Frances Cha, author of If I Had Your Face
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