µ¿¹æºÏ½º : ¿µ¾îÃ¥¿Â¶óÀμ­Á¡

ÇöÀç À§Ä¡

Ȩ

[ÀϹÝ] ÀϹÝ/±âŸ

È®´ë
SNS °øÀ¯
SNS °øÀ¯Çϱâ

  • ÆäÀ̽ººÏ

  • Æ®À§ÅÍ

  • īī¿ÀÅå
20%¡é
¡Ø ¼öÀÔµµ¼­ Ư¼º»ó ÁÖ¹®¿Ï·á ÈÄ¿¡µµ ǰÀýÀÌ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.
ǰÀý ½Ã °³º°¿¬¶ôµå¸®°í ÀÖÀ¸¸ç, Àç°í Á¤È®µµ¸¦ À§ÇØ ³ë·ÂÇϰí ÀÖÀ¸´Ï ³Ê±×·¯¿î ¾çÇØ ºÎŹ µå¸³´Ï´Ù.

¡Ø ´ë·® ÁÖ¹® ½Ã ÁÖ¹® Àü Àç°í È®ÀÎÀ» ¿øÇÏ½Ã¸é ¾Æ·¡ °í°´¼¾ÅÍ·Î ¿¬¶ô¹Ù¶ø´Ï´Ù.
1:1¹®Àdzª Ä«Åå ¹®ÀÇ ÁÖ½Ã¸é ½Å¼ÓÇÏ°Ô ¾È³»ÇØ µå¸®°Ú½À´Ï´Ù.

1:1¹®ÀÇ   > Ä«Åå¹®ÀÇ   >

Thinking With Type: A Critical Guide for Designers, Writers, Editors, and Students (Paperback, ¹Ì±¹ÆÇ)

  • Á¤°¡
    47,900¿ø
  • ÆÇ¸Å°¡
    38,200¿ø
  • ±¸¸ÅÇýÅÃ

    Àû¸³±Ý : + 760¿ø

  • ¹è¼Ûºñ
    ÃÑ °áÁ¦±Ý¾×ÀÌ 30,000¿ø ¹Ì¸¸½Ã ¹è¼Ûºñ 2,500¿øÀÌ Ã»±¸µË´Ï´Ù.
    ±Ý¾×º°¹è¼Ûºñ
    0¿ø ÀÌ»ó ~ 30,000¿ø ¹Ì¸¸ 2,500¿ø
    30,000¿ø ÀÌ»ó ~ 0¿ø

    ¹è¼Ûºñ °è»ê ±âÁØ : ÆÇ¸Å°¡ + ¿É¼Ç°¡ + Ãß°¡»óǰ°¡ + ÅØ½ºÆ®¿É¼Ç°¡ - »óǰÇÒÀΰ¡ - »óǰÄíÆùÇÒÀΰ¡

    Á¶°Çº°¹è¼Û
    Áö¿ªÃß°¡¹è¼Ûºñ
    ÀÎõ Áß±¸/°­È­/¿ËÁø ¼¶Áö¿ª 4,500 ~ 6,000¿ø
    Ãæ³² ´çÁø/¼­»ê ¼¶Áö¿ª 4,000 ~ 7,000¿ø
    Ãæ³² º¸·É/ÅÂ¾È ¼¶Áö¿ª 5,000¿ø
    °æºÏ ¿ï¸ª±º ÀüÁö¿ª 5,000¿ø
    ºÎ»ê °­¼­±¸ ¼¶Áö¿ª 4,000¿ø
    °æ³² »çõ/Å뿵/°ÅÁ¦ ¼¶Áö¿ª 3,000 ~ 4,000¿ø
    ÀüºÏ ±º»ê/ºÎ¾È ¼¶Áö¿ª 5,000¿ø
    Àü³² ¿©¼ö/Áøµµ/½Å¾È ¼¶Áö¿ª 7,000 ~ 8,000¿ø
    Àü³² ¿Ïµµ/°íÈï/¸ñÆ÷ ¼¶Áö¿ª 5,000 ~ 7,000¿ø
    Àü³² ¿µ±¤/º¸¼º ¼¶Áö¿ª 4,000¿ø
    Á¦ÁÖ ÀüÁö¿ª 3,000¿ø
    Á¦ÁÖ ÃßÀÚ¸é 7,000¿ø
    Á¦ÁÖ ¿ìµµ 6,000¿ø
    ÁÖ¹®½Ã°áÁ¦(¼±°áÁ¦) Áö¿ªÃß°¡¹è¼Ûºñ
  • »óǰ¹øÈ£
    2704578
  • ISBN / ÄÚµå
    9781797226828
  • ÀÛ°¡
  • ÃâÆÇ»ç
    Chronicle Books
  • Ãâ°£ÀÏ
    2024-03-14
  • ±¸¼º/ÆÇÇü
    Paperback | 255 pages
  • Å©±â/Á¤º¸
    179 x 216 x 20mm | 698g

      ÃÑ »óǰ ±Ý¾×

      0 ¿ø

      (»óǰ±Ý¾× ¿ø + ±âº»¿É¼Ç ¿ø )
      ¡á B±Þ Ä«Å×°í¸® µµ¼­(»óǰ¸í¿¡ 'ÆÄº»'Ç¥±â) ³×À̹öÆäÀÌ ±¸¸Å ºÒ°¡

      ¡á ³×À̹öÆäÀÌ ±¸¸Å½Ã µ¿¹æºÏ½º ÄíÆù/Àû¸³±Ý »ç¿ë ¹× Àû¸³ ºÒ°¡
      ¡á ³×À̹öÆäÀÌ ±¸¸Å½Ã µµ¼­»ê°£Áö¿ª Ãß°¡¹è¼Ûºñ º°µµ(¿¬¶ô¿¹Á¤)

      The essential and bestselling guide to typography from beloved design educator Ellen Lupton—revised and expanded to include new and additional voices, examples, and principles, and a wider array of typefaces.

      "Thinking with Type is to typography what Stephen Hawking's A Brief History of Time is to physics."—I Love Typography
       
      The bestselling 
      Thinking with Type in a revised and expanded third edition: This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles.

      Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. Critical essays, eye-opening diagrams, helpful exercises, and dozens of examples and illustrations show readers how to be inventive within systems that inform and communicate.

      Featuring 32 pages of new content, the third edition is revised and refined from cover to cover:
      • More fonts: old fonts, new fonts, weird fonts, libre fonts, Google fonts, Adobe fonts, fonts from independent foundries, and fonts and lettering by women and BIPOC designers
      • Introductions to diverse writing systems, contributed by expert typographers from around the world
      • Demonstrations of basic design principles, such as vi¡©sual balance, Gestalt grouping, and responsive layout
      • Current approaches to typeface design, including
        • Variable fonts and optical sizes
        • Tips for readability, legibility, and accessibility
        • Stunning reproductions from the Letterform Archive
       
      Thinking with Type is the typography book for everyone: designers, writers, editors, students, anyone who works with words on page or screen, and enthusiasts of type and lettering. Readers will also love Ellen Lupton's book Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers.


      ÆòÁ¡ Á¦¸ñ ÀÛ¼ºÀÚ ÀÛ¼ºÀÏ
      µî·ÏµÈ »óǰÈıⰡ ¾ø½À´Ï´Ù.
      ¹øÈ£ Á¦¸ñ ÀÛ¼ºÀÚ ÀÛ¼ºÀÏ ÁøÇà»óȲ
      µî·ÏµÈ »óǰ¹®Àǰ¡ ¾ø½À´Ï´Ù.

      ¹è¼Û¾È³»

      ¡Ø ¹è¼Û±â°£ : °áÁ¦ÀÏ·Î ºÎÅÍ 2 ~ 4 ÀÏ ¼Ò¿ä ( °øÈÞÀÏ Á¦¿Ü)

        - ±¹³»Á¦ÀÛ »çÀÔ»óǰ, DVD, µµ¼­/»ê°£Áö¿ªÀº 5 ~ 7 ÀÏ ¼Ò¿ä

       

      ¡Ø ¹è¼Ûºñ : 2,500 ¿ø ( ½Ç °áÁ¦±Ý¾× ±âÁØ 3 ¸¸¿øÀÌ»ó ±¸¸Å½Ã ¹«·á )

       -  Á¦ÁÖ ¹× ±âŸ µµ¼­Áö¿ª : µµ¼±·á( ±âº»¹è¼Ûºñ + 3,000 ¿ø ~ 8,000¿ø )

        -  ±ººÎ´ë ¹× ÇØ¿Ü¹è¼ÛÀº Áö¿øµÇÁö ¾Ê½À´Ï´Ù.

       

      ¡Ø Çù·ÂÅùè»ç :  CJ ´ëÇÑÅë¿î  http://www.doortodoor.co.kr/  

      ¢Ï 1588 - 1255 ( ¿ù ~ ±Ý 08:00 ~ 18:00 / Åä 09:00 ~ 13:00 )

      ±³È¯/¹Ýǰ ¾È³»

      ¡Ø »óǰ ¼ö·É ÈÄ 7 ÀÏ À̳»¿¡ °í°´¼¾Å͸¦ ÅëÇØ ½ÅûÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

          (ÀüÈ­ / Ä«Åå / 1:1¹®ÀÇ )

        - À̺¥Æ® »óǰÀÏ °æ¿ì »çÀºÇ°µµ °°ÀÌ ¹Ý³³ÇØ ÁÖ¼Å¾ß È¯ºÒµË´Ï´Ù.

        - »óǰºÒ·®ÀÎ °æ¿ì ¹è¼Ûºñ¸¦ Æ÷ÇÔÇÑ Àü¾×ÀÌ È¯ºÒµË´Ï´Ù.

       

      ¡Ø Àü »óǰ ¹Ýǰ½Ã 5,000 ¿ø ( °í°´ºÎ´ã )

        - ºÎºÐ ¹Ýǰ½Ã, ÁÖ¹®±Ý¾×ÀÌ 3¸¸¿ø ÀÌ»óÀ̸é 2,500 ¿ø (°í°´ºÎ´ã)

          ÁÖ¹®±Ý¾×ÀÌ 3 ¸¸¿ø ¹Ì¸¸À̸é 5,000 ¿ø (°í°´ºÎ´ã)

       

      ¡Ø ¹Ýǰ / ±³È¯ ºÒ°¡´ÉÇÑ °æ¿ì

        - Æ÷ÀåµÈ µµ¼­, CD µîÀÇ Æ÷ÀåÀ» °³ºÀ ¹× ÈѼÕÇÑ °æ¿ì,

        - ´Ü±â°£¿¡ Çʵ¶ÀÌ °¡´ÉÇÑ µµ¼­

          ex) CD, ¿©Ç༭, ¸¸È­, ¿ä¸®Ã¥, Áöµµ, »çÁøÁý, ¿öÅ©ºÏ µî

       

      ¡Ø ¹ÝǰÁÖ¼Ò

       - ¼­¿ïƯº°½Ã ¼ºµ¿±¸ ¼º¼öÀÏ·Î 55(SKÅ×Å©³ëºôµù) ÁöÇÏ1Ãþ 101~102È£

       

      À̹ÌÁö È®´ëº¸±â

      Thinking With Type: A Critical Guide for Designers, Writers, Editors, and Students


      Item size chart »çÀÌÁî ±âÁØÇ¥

      ¡Ø »óǰ»çÀÌÁî Ä¡¼ö´Â Àç´Â ¹æ¹ý°ú À§Ä¡¿¡ µû¶ó 1~3cm ¿ÀÂ÷°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.

      ºñ¹Ð¹øÈ£ È®ÀÎ ´Ý±â