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Bong¡¯s next feature, Mother (2009) also premiered at Cannes, once again earning critical acclaim and appearing on many ¡°best-of¡± lists for 2009/2010. Bong¡¯s first English-language film, Snowpiercer (2013)—set on a postapocalyptic train where class divisions erupt into class warfare—followed on its heels, bringing his work outside of the South Korean and film festival markets and onto the stage of global commercial cinema. With 2017¡¯s Okja , Bong became even more of an internationally known name, with the New York Times' A. O. Scott calling the film ¡°a miracle of imagination and technique.¡± Bong¡¯s next film, the 2019 black comedy/thriller Parasite, simultaneously scaled back—the film is mostly set in just two locations, with two Korean families taking center stage—and took his career to new heights, winning the Palme d¡¯Or with a unanimous vote, as well as history-making Academy Awards for Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film.
Parasite¡¯s jarring shifts in tone—encompassing darkness, drama, slapstick, and black humor—and its critiques of late capitalism and American imperialism are in conversation with Bong¡¯s entire body of work, and this mid-career monograph will survey the entirety of that work, including his short films and music videos, to flesh out the stories behind the films with supporting analytical text and interviews with Bong¡¯s key collaborators. The book also explores Bong¡¯s rise in the cultural eye of the West, catching up readers with his career before his next masterpiece arrives.
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Bong Joon Ho: Dissident Cinema