현재 위치
홈Movie & Media [영화/미디어]
SNS 공유
SNS 공유하기
페이스북
트위터-
카카오톡
20%↓ ※ 수입도서의 특성상 주문완료 후에도 품절이나 절판으로 연락을 드릴 수 있습니다.
재고 정확도를 위해 노력하고 있으니 너그러운 양해 부탁 드립니다 :)
·····················································································································
※ 10부 이상 대량 주문하실 경우에는 고객센터에 확인 후 주문하시는 게 좋습니다.
1:1문의나 카톡 혹은 전화 주시면 신속하게 안내해 드리겠습니다 :)
1:1문의 > 카톡문의 > ☎ 02-3445-1703
재고 정확도를 위해 노력하고 있으니 너그러운 양해 부탁 드립니다 :)
·····················································································································
※ 10부 이상 대량 주문하실 경우에는 고객센터에 확인 후 주문하시는 게 좋습니다.
1:1문의나 카톡 혹은 전화 주시면 신속하게 안내해 드리겠습니다 :)
1:1문의 > 카톡문의 > ☎ 02-3445-1703
Brilliantly illustrated and designed by the London-based film magazine Little White Lies, Bong Joon Ho: Dissident Cinema examines the career of the South Korean writer/director, who has been making critically acclaimed feature films for more than two decades. First breaking out into the international scene with festival-favorite Barking Dogs Never Bite (2000), Bong then set his sights on the story of a real-life serial killer in 2003’s Memories of Murder and once again won strong international critical attention. But it was 2006’s The Host that proved to be a huge breakout moment both for Bong and the Korean film industry. The monster movie, set in Seoul, premiered at Cannes and became an instant hit—South Korea’s widest release ever, setting new box office records and selling remake rights in the US to Universal.
Bong’s next feature, Mother (2009) also premiered at Cannes, once again earning critical acclaim and appearing on many “best-of” lists for 2009/2010. Bong’s first English-language film, Snowpiercer (2013)—set on a postapocalyptic train where class divisions erupt into class warfare—followed on its heels, bringing his work outside of the South Korean and film festival markets and onto the stage of global commercial cinema. With 2017’s Okja , Bong became even more of an internationally known name, with the New York Times' A. O. Scott calling the film “a miracle of imagination and technique.” Bong’s next film, the 2019 black comedy/thriller Parasite, simultaneously scaled back—the film is mostly set in just two locations, with two Korean families taking center stage—and took his career to new heights, winning the Palme d’Or with a unanimous vote, as well as history-making Academy Awards for Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film.
Parasite’s jarring shifts in tone—encompassing darkness, drama, slapstick, and black humor—and its critiques of late capitalism and American imperialism are in conversation with Bong’s entire body of work, and this mid-career monograph will survey the entirety of that work, including his short films and music videos, to flesh out the stories behind the films with supporting analytical text and interviews with Bong’s key collaborators. The book also explores Bong’s rise in the cultural eye of the West, catching up readers with his career before his next masterpiece arrives.
Bong’s next feature, Mother (2009) also premiered at Cannes, once again earning critical acclaim and appearing on many “best-of” lists for 2009/2010. Bong’s first English-language film, Snowpiercer (2013)—set on a postapocalyptic train where class divisions erupt into class warfare—followed on its heels, bringing his work outside of the South Korean and film festival markets and onto the stage of global commercial cinema. With 2017’s Okja , Bong became even more of an internationally known name, with the New York Times' A. O. Scott calling the film “a miracle of imagination and technique.” Bong’s next film, the 2019 black comedy/thriller Parasite, simultaneously scaled back—the film is mostly set in just two locations, with two Korean families taking center stage—and took his career to new heights, winning the Palme d’Or with a unanimous vote, as well as history-making Academy Awards for Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film.
Parasite’s jarring shifts in tone—encompassing darkness, drama, slapstick, and black humor—and its critiques of late capitalism and American imperialism are in conversation with Bong’s entire body of work, and this mid-career monograph will survey the entirety of that work, including his short films and music videos, to flesh out the stories behind the films with supporting analytical text and interviews with Bong’s key collaborators. The book also explores Bong’s rise in the cultural eye of the West, catching up readers with his career before his next masterpiece arrives.
배송안내
※ 배송기간 : 결제일로 부터 2 ~ 4 일 소요 ( 공휴일 제외)
- 국내제작 사입상품, DVD, 도서/산간지역은 5 ~ 7 일 소요
※ 배송비 : 2,500 원 ( 실 결제금액 기준 3 만원이상 구매시 무료 )
- 제주 및 기타 도서지역 : 도선료( 기본배송비 + 3,000 원 ~ 8,000원 )
- 군부대 및 해외배송은 지원되지 않습니다.
※ 협력택배사 : CJ 대한통운 http://www.doortodoor.co.kr/
☎ 1588 - 1255 ( 월 ~ 금 08:00 ~ 18:00 / 토 09:00 ~ 13:00 )
교환/반품 안내
※ 상품 수령 후 7 일 이내에 고객센터를 통해 신청하실 수 있습니다.
(전화 / 카톡 / 1:1문의 )
- 이벤트 상품일 경우 사은품도 같이 반납해 주셔야 환불됩니다.
- 상품불량인 경우 배송비를 포함한 전액이 환불됩니다.
※ 전 상품 반품시 5,000 원 ( 고객부담 )
- 부분 반품시, 주문금액이 3만원 이상이면 2,500 원 (고객부담)
주문금액이 3 만원 미만이면 5,000 원 (고객부담)
※ 반품 / 교환 불가능한 경우
- 포장된 도서, CD 등의 포장을 개봉 및 훼손한 경우,
- 단기간에 필독이 가능한 도서
ex) CD, 여행서, 만화, 요리책, 지도, 사진집, 워크북 등
※ 반품주소
- 서울특별시 성동구 성수일로 55(SK테크노빌딩) 지하1층 101~102호
이미지 확대보기
Bong Joon Ho: Dissident Cinema
고객님은 안전거래를 위해 현금등으로 결제시 저희 쇼핑몰에서 가입한 구매안전서비스를 이용하실 수 있습니다.